|
|
Opera
|
|
|
|
Peking Opera, originated in the late 18th century, is a synthesis
of music, dance, art and acrobatics. It is the most influential and
representative of all operas in China. Let's watch
first.
|
|
|
|
|
From what we have watched, we can see that Peking opera is
characterized by its symbolic actions, giving full play to the various
artistic mediums of singing, acting, recitation and acrobatics accompanied
by the rhythmic beats of gongs and drums. It has thus formed a perfect
artistic system of its own. The following will present some of the characteristics
of Peking Opera.
|
|
|
|
|
|
|
|
|
Range of Content
|
|
|
Peking opera is mainly engaged in fairy tales of preceding dynasties,
important historical events, emperors, ministers and generals, geniuses
and great beauties, from the ancient times to Yao, Shun, Yu, the Spring
and Autumn Period, the Warring States Period and the dynasties of Qin,
Han, Sui, Tang, Song, Yuan, Ming, Qing.
|
|
|
|
|
|
|
|
|
Roles: There are
four main roles in Peking opera, with each having subcategorizes.
|
| |
Sheng: Sheng refers to male roles which can be divided into three
categories: the old, the young and the martial arts expert.
|
 |
Dan: Dan refers to female roles of all ages. It also includes young
women of high degree and temptresses who use martial arts skills as well
as operatic techniques. |
|
Jing: Jing refers to painted
face roles always played by frank and open-minded men with brightly
colored faces.
|
 |
Chou: Chou
refers to clown roles marked by a dab of white on the ridge of the nose.
This character is sometimes positive, kindhearted and humorous, but sometimes
negative, crafty, malicious or silly. |
Each role has its fixed singing
and acting styles.
|
Costumes
|
The costumes in Peking opera are graceful, magnificent, elegant
and brilliant, most of which are made in handicraft embroidery. As the
traditional Chinese pattern are adopted, the costumes are of a high
aesthetic value. Let's see how the roles are dressed.
|

|
Music
|
The music of Peking opera is that of the "plate and cavity
style".Its melody with harmonious rhythms is graceful and pleasing
to the ears. The melody may be classified into two groups: "Xipi"
and "erhong", guiding pattern, original pattern, slow pattern,
quick pattern, delusory pattern being their chief patterns. The performance
is accompanied by a tune played on wind instruments, percussion instruments
and stringed instruments, the chief musical instruments being jinghu
(a two-stringed bowed instrument with a high register), yueqin( a four-stringed
plucked instrument with a full-moon-shaped sound box), Sanxian( a three-stringed
plucked instrument), suona horn, flute drum, big-gong, cymbals, small-gong,
etc.
|
Masks:
|
Masks: Like the acting and singing, the makeup is stylized, inspired
by the masks worn by dancers in Tang, Song and Yuan dynasties operas.
The makeup highlights and exaggerates the principal features of the
characters. For the painted face role, the color of their made-up faces
can be an indication of their characters or personality. Red indicates
uprightness and loyalty; white is craftiness and cunning. Blue indicates
a vigorous, courageous and enterprising nature while yellow shows an
intelligent character, but a less extroverted one. Black shows a sound
and honest character while brown is often the symbol of a stubborn and
obstinate character.
|
|
|
|
|
|
To watch the makeup of masks, please visit: http://www.cgc21.com/multimedia/makeup.mov
|
Reference and webistes for more information about Peking Opera:
http://www.chinapages.com/culture/jje.htm
http://www.chinapages.com/culture/jj_home.htm
http://www.sh.com/culture/opera/peking.htm
http://library.thinkquest.org/20443/opera.html?tqskip=1
http://web.syr.edu/~xwang02/index0.html
http://www.chinadaily.com.cn/star/2001/0531/fo6-2.html
http://www.calpoly.edu/~hspiller/324Fall2001/China%20Week%203%20Day%202/sld011.htm
Created by Ling Wang
Dec,2001
|