Chinese, which is formed of characters, is among the world's oldest
written languages. Generally speaking, each character stands for a meaningful
syllable. The total number of Chinese characters is estimated at more
than 50,000 of which only 5, 000 -8,000 are in common use. Of these
merely 3,000 are used for everyday purposes.
The Chinese characters in use today developed from the pictographs
cut on oracle bones dating from over 3,000 years ago and the pictographs
found on ancient bronze vessels dating a little later.
The following is a Shang Dynasty inscription cut on an animal shoulder
bone. It asks if there will be any calamities, notes the spirits' affirmative
answer, and reports later verification that calamities did indeed occur.
Written on Bamboo and Silk (Chicago: University of Chicago Press, 1962).
Pictographic
Let's look at the following pictures, they may give you some ideas
of how some of Chinese characters are developed from pictographs.
Strokes
In the course of their history of development, Chinese characters
evolved from pictographs into characters formed by strokes, with their
structures very much simpler. The system of strokes includes eight basic
forms: "Dian", a simple dot, "Heng", a horizontal
stroke, from the left to the right, "Shu", a vertical stroke,
from the top to the bottom. "Gou", a hook attached to other
strokes, "Ti", a diagonal stroke, rising from the left to
the right, "Pie" a diagonal stroke, falling from right to
left, "Duan Pie" a short diagonal stroke, falling from right
to left, and "Na" a horizontal stroke, falling from left to
right. The following are some of the examples.
Stroke-order Writing characters in the correct order is very important. The basic
rules are: from the top to the bottom and from the Left to the right.
Let's see how the Chinese characters "Beijing" is written.
Chinese characters come in two forms: complex (used in Hong Kong
and Taiwan) and simplified (used in mainland China). The simplification
of Chinese characters is a reform aimed at reduction of the number of
the characters (mainly through the elimination of the complex variants)
and reduction of the number of the strokes of which a complex character
is composed (by the popularization of the simplified characters). This
simplification conforms entirely to the general tendency of development
of the Chinese characters towards greater simplicity. The simplified
forms, as compared with their complex equivalents, are much easier to
learn, to memorize, to read and to write.